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The War And Treaty

The War And Treaty
Thursday, August 25, 2022
$27 Advance | $30 Day of Show
Doors 7pm | Show 8pm
Opener: Leah Blevins

The War And Treaty
have amassed a following as eclectic as their sound itself with "voices that will stop you in your tracks” (Garden and Gun) and their bluesy but joyful fusion of Southern soul, gospel, Country, and rock-and-roll. The husband-and-wife team of Michael Trotter Jr. and Tanya Trotter "continue their commando, no-limits journey to the top of the music world" (Associated Press) following their latest widely acclaimed release, HEARTS TOWN.
Known for a live show nearly revival-like in its intensity, they "build up waves of emotion that crash into a cathartic release of a tour-de-force performance," (Austin-American Statesman) as the versatile duo has opened for artists such as Al Green, Brandi Carlile, Jason Isbell, John Legend and Lauren Daigle while their multifaceted collaborative efforts include Dierks Bentley, Elvis Costello, Emmylou Harris, Leslie Jordan, Mumford & Sons, Nitty Gritty Dirt Band and Sturgill Simpson. The 2021 International Folk Music Awards “Artist of the Year” an Americana Music Association’s 2019 “Emerging Artist of the Year ” continue to reveal new headlining dates and will serve as direct support for Van Morrison (5/7-5/10) ahead of their overseas trek this summer to Australia, Denmark, Ireland, Netherlands, United Kingdom and Scotland. For more information visit www.thewarandtreaty.com.

About the opener:
Imbued with the grit of vintage country music and the grace of gospel, Leah Blevins’ debut album is a scrapbook of sorts, a collage of feelings and memories from a decade spent working in the big city of Nashville while missing the small town she left behind. “It’s a timestamp of my twenties,” says the Sandy Hook, Kentucky, native. “Here are all the stories and all the experiences from that decade. Here are all the mixed emotions I’ve felt about things I’ve gone through and people I’ve met along the way.” First Time Feeling turns tribulations into what Blevins calls “bundles of triumphs,” which lend weight to her well-observed lyrics and gravity to her soulful vocals. “It’s about coming into womanhood, but it’s more than just a coming-of-age story. It’s me discovering that I’m capable of writing a song on my own. I’m capable of staying sober. I’m capable of all these things that once felt so far out of reach. Within those walls these songs had to be unapologetically honest.”


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